About Rosy

Alternative photographic processes, shaped by sunlight

Rosy in the Studio
Rosy in the Studio Dallas, Texas
In Her Own Words

“A botanical printing process where the natural pigments and forms of flowers are transferred directly onto paper through pressure, preserving their color as an imprint.”

— Rosalia, on flower pounding

The Narrative of Light & Emulsion

My work uses alternative photographic processes to create images shaped by sunlight. Using organic materials—often dead leaves and found fragments—I build layered compositions that move between preservation and decay. I also create acetates from my own photographs, enlarging overlooked details so they take on a quiet monumentality. I’m drawn to fragility: leaves that crumble, impressions that fade, forms that never fully settle. Suspended in the deep blue of the cyanotype—both calm and vast—these images echo memory as something shifting, shaped by time and exposure. Through layering and shifts in scale, I explore what is kept, what disappears, and what lingers. These prints hold their subjects in transition—delicate, unresolved, and gently evolving.
Studio Mediums & Methods
Cyanotype Wet Cyanotype Anthotype Lumen Print Cyanolumen Chlorophyll Print Flower Pounding